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Timidity won’t get you ‘the shot’ – sometimes you need to be bold to capture a moment.

However timing is everything and thinking ahead to get in the right position for key moments are important so as not to disrupt the event.

Keep in mind that images can be cropped or manipulated later to give you some more arty/abstract looking shots that can add real interest to the end album. While the majority of the images in the end album will probably be fairly ‘normal’ or formal poses – make sure you mix things up a little by taking shots from down low, up high, at wide angles etc.

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Flick through a wedding magazine in a news stand for a little inspiration.

Beg, borrow, hire or steal an extra camera for the day – set it up with a different lens.

You’re driving the show at this point of the day and need to keep things moving.

The ability to bounce a flash or to diffuse it is key.

It means less moving around during ceremony and speeches, allows for one to capture the formal shots and the other to get candid shots.

It also takes a little pressure off you being ‘the one’ to have to get every shot!

While I’m sure most Pros don’t do this – I find it really helpful to know where we’re going, have an idea of a few positions for shots and to know how the light might come into play.

On one or two weddings I even visited locations with the couples and took a few test shots (these made nice ‘engagement photos’).

Ideally you’ll be wanting uncluttered areas and shaded spots out of direct sunlight where there’s unlikely to be a wandering great aunt wander into the back of the shot. The temptation with digital is to check images as you go and to delete those that don’t work immediately.

The problem with this is that you might just be getting rid of some of the more interesting and useable images.

People are going everywhere, you’re unaware of the different family dynamics at play and people are in a ‘festive spirit’ (and have often been drinking a few spirits) to the point where it can be quite chaotic.

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