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Viewing many of them in one glance gives us a good idea of the artistic styles then prevailing among the first wave of Korean and Chinese imports into Japan in the 6th & 7th centuries.

These pieces allow us to surmise how Japan developed its own distinctive style.

One of the most famous groupings of extant gilt-bronze images, from China, is the Shijuhatai Butsu 四十八体仏, the so-called Forty-Eight Buddhist Images, now kept at the Tokyo National Museum.

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The left-hand gesture of Shaka, for example, is found in no other Buddhist image.

Equally baffling are the nut-like objects held in each hand by the attendants.

This, claims Smith, is reflected in the construction of the Guze statue itself. In a piece entitled The Buddhist Icon and the Modern Gaze, Faure says: “Aesthetic considerations have steered us away, for instance, from exploring all the implications of the well-known (and often mentioned) fact that the Guze Kannon icon and the Sakyamuni Triad icon at Hōryūji were made the size of the ruler Shōtoku Taishi ( 572-621).

The Guze Kannon is even believed to be an image of Shōtoku Taishi, made while he was alive.” Japan’s earliest sculpture was greatly influenced by the artistic nuances of China’s Wei 魏 kingdom (late 4th to 6th centuries), which featured a marked frontality, crescent-shaped lips turned upward, almond-shaped eyes, and symmetrically arranged folds in the robes.Prince Shōtoku Taishi, Japan’s first great patron of Buddhism, learned about Buddhism, it is said, mainly from two Korean monks.One hailed from the Korean Kingdom of Koguryo 高句麗 (Goguryeo), and was named Eji 慧慈 (えじ).About Site Author Bibliography Buddhism in Japan Busshi Glossary Carving Techniques Cycle of Suffering Drapery/Robe Guide Mandala Guide Mudra Guide Objects Guide Pilgrimage Guide Shinto Guide Statues by Artist Statues by Era Symbols Guide Terminology A TO Z INDEX 3 Element Stele 3 Monkeys 4 Bosatsu 4 Celestial Emblems 4 Heavenly Kings 5 (Number Five) 5 Elements 5 Tathagata 5 Tier Pagoda 5 Wisdom Kings 6 Jizo 6 Kannon 6 Realms 6 Nara Schools 7 Lucky Gods 7 Nara Temples 8 Legions 8 Zodiac Patrons 10 Kings of Hell 12 Devas 12 Generals 12 Zodiac Animals 13 Butsu (Funerals) 28 Legions 28 Constellations 30 Buddha of Month 30 Kami of Month 33 Kannon About the Author Agyo Aizen Amano Jyaku Amida Nyorai Apsaras Arakan (Rakan) Arhat (Rakan) Ashuku Nyorai Asuka Era Art Tour Asura (Ashura) Baku (Eats Dreams) Bamboo Benzaiten (Benten) Bibliography Big Buddha Birushana Nyorai Bishamon-ten Bodhisattva Bonbori Artwork Bosatsu Group Bosatsu of Mercy Bosatsu on Clouds Buddha (Historical) Buddha Group Buddha Statues Busshi (Sculptors) Calligraphy Celestial Emblems Celestial Maidens Children Patrons Classifying Color Red Confucius Contact Us Daibutsu Daijizaiten Daikokuten Dainichi Nyorai Daruma (Zen) Datsueba (Hell Hag) Deva (Tenbu) Donations Dosojin Dragon Drapery (Robes) Early Buddhism Japan Ebisu Eight Legions En no Gyoja Estores Family Tree Footprints of Buddha Fox (Inari) Fudo (Fudou) Myoo Fugen Bosatsu Fujin (Wind God) Fukurokuju Gakko & Nikko Gardens Gigeiten Godai Nyorai Goddess of Mercy Goddesses Gongen Gravestones Hachi Bushu Hachiman Hands (Mudra) Hell (10 Judges) Hell Hag (Datsueba) Hell Scrolls Henge Hikyu (Lion Beast) Holy Mountains Ho-o (Phoenix) Hotei Idaten Inari (Fox) Ishanaten Ishidoro (Ishidourou) Jikokuten Jizo Bosatsu Jocho Busshi Juni Shi Juni Shinsho Juni Ten Junrei (Pilgrimage) Jurojin Juuzenji Jyaki or Tentoki Kaikei Busshi Kamakura Buddhism Kankiten Kannon Bosatsu Kappa Kariteimo (Kishibojin) Karura Karyoubinga Kendatsuba Kichijouten Kitchen Gods Kishibojin (Kariteimo) Kitsune (Oinari) Kokuzo Bosatsu Koujin (Kojin) Komokuten Korean Buddhism Koushin Lanterns (Stone) Links Making Statues Mandara (Mandala) Maneki Neko Marishiten (Marici) Miroku Bosatsu Monju Bosatsu Monkeys Moon Lodges Mother Goddess Mudra (Hands) Myoken (Pole Star) Myo-o Nara Era Art Tour Newsletter Sign Up Nijuhachi Bushu Nikko & Gakko Ninpinin Nio Protectors Nyorai Group Objects & Symbols Onigawara Phoenix (Ho-o) Pilgrimage Guide Pottery Protective Stones Raigo Triad Raijin (Thunder God) Rakan (Arhat) Red Clothing Reincarnation Robes (Drapery) Rock Gardens Sanbo Kojin Sanno Gongen Sarutahiko Sculptors (Busshi) Seishi Bosatsu Sendan Kendatsuba Seven Lucky Gods Shachi, Shachihoko Shaka Nyorai Shape Shifters Shichifukujin Shijin (Shishin) Shinra Myoujin Shinto Clergy Shinto Concepts Shinto Kami Shinto Main Menu Shinto Sects Shinto Shrines Shishi (Lion) Shitenno Shoki Shomen Kongo Shotoku Taishi Shrines Shugendo Siddhartha Six States Star Deities Stone Gardens Stone Graves Stone Lanterns Stones (Top Menu) Suijin (Water Kami) Symbols & Objects Tamonten Taishakuten Tanuki Temples Temple Lodging Tenbu Group Tengu Tennin & Tennyo Tentoki or Jyaki Terminology Tibetan Carpets Tibet Photos Tibetan Tanka Transmigration Ungyo Unkei Busshi Videos on Buddhism Water Basin Weapons Wheel of Life Yakushi Nyorai Yasha (Yaksha) Zao Gongen Zen (Daruma) Zen Art Tour Zodiac Calendar Zochoten INTRO.Korea and China bring Buddhism to Japan during the Asuka Period, with the earliest sculptures and texts imported first from Korea then China.So we have here Shōtoku deified as Shaka, an association already uncovered in the pagoda grotto.

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